QUESTION · TUESDAY FOCUS

What are your thoughts on these IRL "Backpacks"?

ASKED BY · Guy Cochran · SEATTLE, WA · 03 NOV 2026 · ▶ 00:35:45

THE PANEL'S ANSWER
Stephen Heywood

Live streaming backpack rigs are valuable field production tools; he uses Teradek and LiveView Solo rigs for location coverage at game stores and conventions with wireless audio and compact cameras.

Summarised by AI from what the panel said. Watch the moment for the full answer.

IN THEIR OWN WORDS

From the transcript.

Machine-transcribed, so it may contain errors. Every timestamp opens the episode at that second.

35:29Makes perfect sense to me. Understand that promotion and how you get traction for these kind of new titles has changed a lot. And you've got to keep up with what the crowd wants and where their eyeballs are. Next question. This one comes to us from Guy Cochran in Seattle. What are your thoughts on these in real life backpacks? Oh, for live streaming out of a black backpack.

35:54Have you messed around with these at all? I actually have a few of them. I have one from Teradek. I have the backpack from Teradek. And I also have live views. I have solos, the live view solos that I take on location when I'm not bringing the TriCaster rig and we have to, like we'll go to a game store. We have a sponsor that is close to me, Stone Age Gamer,

36:19and they have like customer appreciation events where they want YouTubers to come out. And I take a rig like this with a live view and we go out and we cover the whole floor and we're doing it live streaming it um as you're seeing here with the picture i've got like a uh uh adamos uh shogun i think i'm running on this one

36:36with a canon uh camera with some wireless uh shore mics and wireless shore attachments on a road mic and we walk around and we're talking to people and other youtubers and we're you know we're doing this type of stuff so i 100 love the whole irl field but it but again as you and i were We're talking in the pre-show. There's the right tool for the job, and that was the tool for that.

37:02It's a small store. You're not going to set up a whole big production backdrop. Yeah, this is not a three-camera with lights. It's not the right way to play this game. That's right. So I'm all for those. With you 100%, Stephen. Next question. Next one in is from Eduardo Augustine in Panama City. city. Stephen, do you consider professional producers are still relevant now that everyone

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ALSO IN THIS EPISODE

14 more questions
from Reinventing a Brand with Stephen Heywood.

The whole episode →
▶ 00:02:30You have a fascinating story of reinvention. You came out of tech broadcasting. How did you decide to make the pivot into the gaming world?▶ 00:24:28What changes are you seeing in the game world now that anyone can spin up a version of Doom in AI? Could we all become game creators? Pong, Mario, Call of Duty?▶ 00:26:38Steven, please talk about your views on where the live streaming landscape is heading next.▶ 00:29:23Gaming continues to be bigger than most Hollywood blockbusters. What are those audiences looking for? And how can Office Hours Global work alongside that group? We have a lot of similarities: technical interests in streaming, interactivity, community.▶ 00:31:11What words of encouragement do you have for our community members that want to start or grow a YouTube channel?▶ 00:33:37Did you visit or have friends visit the Call of Duty Modern Warfare 4 pop-up in LA? Thoughts on if it was successful for the game? Could this be done for independent games?▶ 00:37:21Stephen, do you consider professional producers are still relevant now that "everyone" can have a YouTube channel and stream? How can you be an outlier in the industry?▶ 00:39:50What feels distinctive about the culture of gaming communities compared with the tech community you came from?▶ 00:43:22Looking at your channel and the old videos versus the new, what initiated the "Reinvention"?▶ 00:49:06Have you seen people turn skills learned through gaming streams into opportunities in live production or other fields?▶ 00:51:01Besides YouTube, do you still follow through your career in a regular 9-5? Or has this YouTube channel and convention production become your business?▶ 00:52:10Which supposed "must-haves" can you drop from a show without much trouble, and which "creature comforts" have you found surprisingly necessary?▶ 00:53:51What would you advise us to transform ourselves and shift on improving our content and channels?▶ 00:57:55What do you do to help people find your channel and make it feel connected and relevant?