DAILY ON YOUTUBE & MUKANA

A global conversation
where no one's left out.

Seven shows a week. One panel of working pros across every time zone. A community where anyone can ask, answer, or step up to help produce — and where watching the broadcast is only half the fun...

Run by volunteersSeven days a weekFree: anyone can join501(c)(3) non-profit
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THIS WEEK

Seven shows.
One conversation.

Weekday + Saturday shows stream live on YouTube. Sunday Introspective happens inside the Mukana community. Pick a day, add it to your calendar, show up.

All shows ~60–120 min · Replays appear on YouTube within 24h
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ASK OFFICE HOURS

Six years of answers,
one prompt away.

Search 2,272 episodes by what was actually said — every transcript, down to the second. Or narrow it to a single show.

ASKSearches the transcripts
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LATELY ON THE SHOWS

Real questions.
Working answers.

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Audio Q&A28 OCT 2026
QUESTION · PAUL WALHUS
For field recording, what are the key workflow advantages of a dedicated recorder like a Sound Devices MixPre over a high-quality USB interface and laptop? Why make the jump from an interface to a dedicated unit?
ANSWER · COURTNEY GOODIN & JEFF COHEN & MICKEY MACACHOR · AI SUMMARY

Type of field recording matters; for dialogue on wireless mics might need laptop; for effects or mobility scenarios a dedicated recorder in a bag is essential; keep recording clean without plugins. Dedicated field recorder is single-purpose device optimized for portability; eliminates need for laptop and associated cables. Dedicated recorder enables faster configuration and physical mobility; single-purpose design does one thing well; allows chasing sound quickly without laptop encumbrance.

Chris Fenwick + 4▶ 51:17 WATCH →
Extra Hours26 OCT 2026
QUESTION · ROBERT GREEN
Intriguing talk about AV2 and H.266. Who is behind these standards, gets paid, and what's likely to succeed?
ANSWER · CARL & JEFFREY · AI SUMMARY

Carl explains AV2 is an open-source standard from a non-profit aiming to be license-free, while H.266 (VVC) is from a similar standards group with licensing requirements. He notes Google has invested in AV1 and Apple has added AV1 decode to M and A processors, predicting YouTube will likely adopt AV2 for cost savings. Jeffrey clarifies YouTube re-encodes uploaded H.265/H.264 to VP9 or AV1, and discusses YouTube's future plans including multi-language audio dubbing, A/B testing of color-corrected videos, and increased video production needs.

Guy Cochran + 2▶ 32:26 WATCH →
Extra Hours19 OCT 2026
QUESTION · OMAR GADON
What's the best way to estimate live video audio sync delays without recording a clip and dropping it into an NLE and counting the frames of offset?
ANSWER · CARL & COURTNEY & GUY & JOHN · AI SUMMARY

Mentions Matchbox by Hitomi, a software analyzer-generator tool used in Formula One broadcast for live sync measurement. Suggests using a clapper method or bouncing ball visible to both camera and microphone; acknowledges audio-video sync varies by playback path and device. Used an app called Catch and Sync ($20) after attempting to build one with Grok; sound travels at ~1,125 feet per second affecting outdoor PA system sync. Use a bouncing ball YouTube video with frame calculator; can use QuickTime instead of a full NLE for frame-by-frame analysis.

Jason Bache + 5▶ 31:16 WATCH →
NEW HERE? GOOD.

Volunteer and
discover new interests

Most of the panel has been doing real-life production for 20+ years. That's the point: learn by doing alongside experienced professionals. Show up, read a question on air, run a graphic, cut a clip. While you're learning, you're building your credibility and your network in the industry. Both start the first time someone says your name on the broadcast.

QUESTION READER1 SHOW

Read community questions on air. You're the voice the panel responds to. First broadcast role most people take.

YOU'LL LEARN
  • On-camera composure
  • Real-time editing while reading
  • Panel-pacing instinct
APPLY IN #INTROS
TD ASSISTANT3 SHOWS

Sit next to the technical director, run lower thirds and question cards live to YouTube. Hands on the broadcast.

YOU'LL LEARN
  • Supersource compositing
  • Live graphics pipeline
  • Working under pressure
APPLY IN #INTROS
CAPTIONS & TRANSCRIPTSASYNC

Clean up auto-captions and timestamp archive episodes. Async work, your hours, makes the archive findable for everyone.

YOU'LL LEARN
  • Workflow tooling
  • Accessibility chops
  • Editorial eye
APPLY IN #INTROS
SOCIAL CLIPPERAS YOU CAN

Cut a 60-second moment from this week's shows for Reels / Shorts / LinkedIn. Distribute the conversation.

YOU'LL LEARN
  • Punchy edits at speed
  • Hook writing
  • Multi-platform delivery
APPLY IN #INTROS
CREW STARTERS
Students and under-25 years old: free Mukana weekend access, paired with a crew mentor.
GET ON THE LIST
THE CREW

Real people.
Real conversations.

A rotating cast of working media professionals has been showing up every day since March 2020, sharing their knowledge, experiences, and perspectives.
Get to know the panelists.

41 EPThis weekBest 27 wks
Tom FergusonPanelist · Media Production Q&A
2 EP
Ryan YewellPanelist · Kigali, Rwanda · Saturday Q&A
54 EPBest 9 wks
Jason BachePanelist · ABQ, NM · Audio Q&A
1 EP✨ New
Rajan S.Panelist · Los Angeles, CA · Introspective Q&A
29 EPThis week🔥 3 wks
Jeff CohenPanelist · Audio Q&A
3 EPThis week
Craig KadokePanelist · Toronto, Ontario, CANADA · Audio Q&A
26 EPThis week🔥 6 wks
Mark GiulianiPanelist · Introspective Q&A
26 EPThis week🔥 3 wks
Karl AsmussenPanelist · Adelaide · Extra Hours
1 EP✨ New
Vic HernandezGuest · Springfield, MO · Tuesday Focus
134 EPThis week🔥 37 wks
Courtney GoodinReader · Hollywood, CA · Extra Hours

70 people on air · 44 in the last 90 daysMeet everyone →