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This week on Office Hours
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Seven shows a week. One panel of working pros across every time zone. A community where anyone can ask, answer, or step up to help produce — and where watching the broadcast is only half the fun...
Weekday + Saturday shows stream live on YouTube. Sunday Introspective happens inside the Mukana community. Pick a day, add it to your calendar, show up.
Search 2,296 episodes by what was actually said — every transcript, down to the second. Or narrow it to a single show.
Apple's automatic device switching is helpful for most users but annoying for professionals with multiple audio devices. After dismissing Bluetooth device prompts a few times, the OS learns and stops asking. No documented improvements found. Audio Priority Bar is an open-source tool that helps rank audio inputs. Manually selecting audio interfaces and not relying on automatic switching is the more reliable approach. Don't trust automatic settings. Manually select your audio interface and it will remember the choice in Zoom. This avoids the problem of the system randomly picking outputs.
DaVinci Resolve has a similar feature that works fairly well, but ADR (automatic dialogue replacement) is the traditional and preferred approach for fixing dialogue issues. The ethics and feasibility of AI speech manipulation is evolving rapidly; it's increasingly difficult to distinguish real from generated speech, raising significant societal concerns about authenticity. These tools use neural networks to separate speech from noise rather than regenerate voice; the ethical concern is less about changing someone's voice and more about taste and whether over-processing sounds artificial.
Variable aperture is huge for controlling depth of field; it allows choices where you don't always want the blurry bokeh background, enabling more nuanced creative decisions. Real aperture control enables specular highlights with star-like effects and changes lens flare appearance at night, advancing beyond computational bokeh faking. As a photographer, this will make a significant difference to his shooting approach.
The episodes that come up most across the archive — in topic collections, clips and answered questions. A good place to start if you're new.
Most of the panel has been doing real-life production for 20+ years. That's the point: learn by doing alongside experienced professionals. Show up, read a question on air, run a graphic, cut a clip. While you're learning, you're building your credibility and your network in the industry. Both start the first time someone says your name on the broadcast.
Read community questions on air. You're the voice the panel responds to. First broadcast role most people take.
Sit next to the technical director, run lower thirds and question cards live to YouTube. Hands on the broadcast.
Clean up auto-captions and timestamp archive episodes. Async work, your hours, makes the archive findable for everyone.
Cut a 60-second moment from this week's shows for Reels / Shorts / LinkedIn. Distribute the conversation.
A rotating cast of working media professionals has been showing up every day since March 2020, sharing their knowledge, experiences, and perspectives.
Get to know the panelists.
68 people on air · 45 in the last 90 daysMeet everyone →
Seven shows a week. Six years and counting. No corporate sponsor, no subscription, no behavioural-ad business model. The math only works because viewers who can give, give — and because every dollar goes to the things that actually keep us on air.
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