QUESTION · AUDIO Q&A

Morning, everyone. What does the panel think about Blast Radio? We can't figure this out.

ASKED BY · Mike Edwards · NEW YORK · 21 OCT 2026 · ▶ 00:06:48

THE PANEL'S ANSWER

Blast Radio is a $250 streaming device for audio-only live broadcasts with a private channel model; it includes a microphone and software mixer options.

Jeff CohenPANELIST

The Blast Radio still requires an app for streaming, making it redundant; it appears positioned between professional tools and casual users with unclear market differentiation.

Jeff FrancisPANELIST

Blast Radio is an audio-only stream box with no monthly fees for streaming or listening; DJs could use it for broadcasting live sets to any location.

Mickey

The device is cheap and fast but not good for professional use; it's suitable for basic audio streaming without screen or controls.

Summarised by AI from what the panel said. Watch the moment for the full answer.

IN THEIR OWN WORDS

From the transcript.

Machine-transcribed, so it may contain errors. Every timestamp opens the episode at that second.

6:44Kind of like what we're doing right now, except you'd have to buy a $249 device to listen to audio only. Is it to listen or to broadcast, though? Well, this is to broadcast. Okay. Yeah. And listen. Because it's a private channel, I believe, unless I think you use – you've got this, which is – you can start your own radio. It's kind of like the concept of starting your own radio station that nobody will listen to.

7:14And then there's this, which is the – that's a microphone. No, it's not an ice cream cone that has a pointy bottom on it. I don't know what you'd stand it on top of. You'd have to handhold it wherever you go, but it broadcasts directly to the internet from the cone here. And then there's software if you want to get in cheap, which is a mixer that runs on your PC or your Mac.

7:41So there's that. And I think it's a subscription involved. See here, you got to pay some money every month. I think this is a Ponzi scheme. Yeah, I don't know what this is at all. It sounds, you remember Clubhouse? Remember that thing that was so popular? It was audio only, invitation only, and they'd have people show up live, special, you know, celebrities and stuff, and you could listen to them pontificate for hours.

8:08And it lasted about eight months, and it became unpopular, and nobody does it anymore. What is this, Jeff Francis? So it's a audio-only stream box, and there is no monthly fee. there's no monthly fee for listeners there's no monthly fee for you to stream you can get people to subscribe to you much like a patreon kind of system but uh this is not for us and not everything

8:36has to be for us i feel bad yeah but uh like you know i could see djs eating this up they can they can run a dj set and they will ship it out and anybody can tune in anywhere i mean even like doing a silent DJ event you could just point everyone you don't have to provide headphones everybody let everybody use their own phone and log into your blast

8:59channel and you could run your silent silent DJ event for 250 bucks of hardware and it doesn't have to be just local you could have people tune in anywhere so the you know the actual device to one purchase and then it streams looks like YouTube twitch and their own last radio channel now at 250 bucks with no subscription. How long is the Blast Radio website going to continue to support the Blast device?

9:27Who knows? How many of these are you going to buy, Mickey? You're going to buy a six-pack, ten-pack? What are you doing? I think Jeff is absolutely correct. Like, Jeff Francis, this is not for us. You know, the usual triangle, fast, good, cheap. This is cheap. This is fast. It's not good. But if you just want to get audio and the internet out there, sure, plug it in.

9:53I don't know how this device works. Mickey, it's lossless. I'm assuming there's some sort of auto gain or some compression that's built in that you can't adjust. I don't know. But that's what I would expect from a device like this with no screen, no UI, no real controls apart from some really poor faders on glass UI. It's not for professional productions. It's for someone who just needs to or wants to get content on the air or on the internet.

10:32Okay. Okay. Mr. Cohen, wrap this up. The funny thing, real quick, I was looking at this and trying to figure out, like, okay, is there built-in cellulars or you need, like, to be on someone's Wi-Fi? But no, no, no. I mean, there's an app. So the app is really doing the thing. The app is what's streaming over your phone, using your phone's data.

READ THE FULL TRANSCRIPT →
MENTIONED IN THE ANSWER
Blast Radio→YouTube→Twitch→
ALSO IN THIS EPISODE

14 more questions
from Office Hours | Wednesday | October 21, 2026.

The whole episode →
▶ 00:00:22Blackmagic Design stated that unfortunately they have to raise their prices due to shortages of components, increases are pretty significant. Will prices ever come back down?▶ 00:12:12For primary backup streams, how closely do the encoders and encoding need to match? Same model, different models with same settings, free for all?▶ 00:18:21Opinions on adding drop shadows to picture-in-picture boxes in a layout for a show. Things look so flat with just the thin colored border and background.▶ 00:23:25I thought about a replacement for the Panasonic PTZ software essentially just visual preset tiles to click on. Now I have more or less a full replacement of the Panasonic GUI because vibe coding possibilities are nearly endless. What are your thoughts?▶ 00:31:50Production expert picks Fender Studio Pro, eight best music features. Is Studio Pro a real rival to Pro Tools and Logic now?▶ 00:35:10Any opinions on B&H's suggested audio interfaces for less than $500?▶ 00:40:07When live streaming an event where the audio is handled by another team, what do you ask for first and what do you carry just in case?▶ 00:45:15For conference room design, can you suggest resources to learn room modes, reflection measurement, transmission, etc. Thanks.▶ 00:48:45Event is loud, room has bouncy walls, guy goes up on stage, PA is pretty loud, everybody is talking, nobody is paying attention. How do we get attention?▶ 00:51:22Any NAB New York news?▶ 00:51:45With BMD announcing significant price increases, do you think that will drive users to competitors?▶ 00:53:11Does the fact that the Blackmagic ATEM Mini Pro appearing on this list hint that it is still being produced and in demand?▶ 00:53:38You mentioned the SSL-6 as a utility mixer for streamed events. Wouldn't an Allen & Heath CQ be a better choice because it's compact and has dynamics and effects in a small chassis?▶ 00:54:30The Allen & Heath QU series has a gain assist which can automate initial preamp gain setup along with monitoring preamp gain during an event. Has anyone used such a feature?