QUESTION · TUESDAY FOCUS

How about multiple musicians in studio, some needing to share the same mix, others their own, without having one transmitter per headphone? Can you do a couple of sets off of something?

ASKED BY · Peter Belvin · HOUSTON, TEXAS · 23 SEP 2026 · ▶ 00:16:08

THE PANEL'S ANSWER
Brian Fisher

Each transmitter pairs with one headphone; multiple musicians would need separate transmitters, though the transmitter has an extra analog output for an additional passive headphone.

Summarised by AI from what the panel said. Watch the moment for the full answer.

IN THEIR OWN WORDS

From the transcript.

Machine-transcribed, so it may contain errors. Every timestamp opens the episode at that second.

16:03If you're listening to something back, you want it to maintain connection as much as possible. Let's sneak into our next question. And this one here is from Peter Belvin in Houston, Texas. How about multiple musicians in studio, some needing to share the same mix, others their own, without having one transmitter per headphone? Ah, can you do a couple of sets off of something?

16:27Or what's the topology of the small radio system? That is a good question. I know you can run kind of multiple wireless units. Not off of the same transmitter though. You have that extra, you know, analog output on the transmitter, but they're designed to really go and be paired with one pair of headphones. So essentially, you know, when you have like different headphone mixes going out, you would take that analog connection, you would connect it to your transmitter, and then you would have that wireless feed of your headphone mix.

17:05You know, most likely everyone's going to have different headphones. Maybe some people brought their own. So it's unlikely that you'll see, you know, every single player in the studio with wireless. But yeah, if you did have that, it's a pretty low profile transmitter. and we include a special mount too, so you could easily mount it to a microphone stand or something like that if you need to keep it close and out of the way.

17:33So does it have like a quarter 20 on the bottom, or you said there's some sort of special mount? Is this for the box? Yeah, for the little transmitter that transmits the wireless signal, there's a little kind of adapter on the bottom, so you could like screw it into a mic stand. Ah, okay, cool, cool. I'm curious. This seems like a musician's best friend. If you're tired, as I am, I'm not a musician, but I spend all my time in front of microphones. And I just know that every time I grab one of my old headphone cords, I realize how managed to mess it up I've managed to get here.

18:13So the idea of not having all these curly cords that are driving me nuts, that strikes me as being a nice idea. What are the features of this that's going to make it easier for people to operate in the studio? And it seems like what you're headed for is something that makes life a little bit easier for you, but still has very few compromises in sound.

18:37Is that really the point of this whole thing? Yeah, I mean, you nailed it right there. I think obviously, you know, you can immediately see the benefit of wireless in terms of not dealing with tangled cords and all that stuff. But for me, one of the additional benefits is being able to use the same pair of headphones for a lot of different applications and have a very consistent sound quality.

18:59Because typically, you know, I'm in a mix in open back headphones. Open back headphones tend to have a more neutral sound profile that works better for mixing. and you use closebacks for recording because you need that isolation so you don't get extra bleed in your microphone. But, you know, our goal with designing the sound of these was to really aim for the neutrality and kind of transparency of an open back headphone, but in a closeback design.

19:26So you can mix on these, you can record on these, and there's not that jarring experience of switching headphones and everything sounds totally different from how you remembered recording it. So for me, that's a really big workflow thing that's helpful beyond just the convenience of wireless. Let's go to our next question. Coming in from Seattle, Washington, here's a really good question from Guy Cochran.

19:52What is the history of Lewitt and how did the idea for these come about? Ah, we always like origin stories and some of us have heard of Lewitt for quite a while, but tell us a little bit about the company too. Yeah, so it's based in Vienna, Austria. And it was founded by our CEO Roman. And I think about 2009, it was he originally worked at AKG for a while. And then eventually, when he started Lewitt, his goal and intention was really to focus on innovation, just with the idea that not everything that can be done with microphones has been done, that there's a lot of interesting technology out there that could be

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21 more questions
from LEWITT LW6: Wireless Headphones for Audio Professionals.

The whole episode →
▶ 00:14:56If you remain close to the unit, it will keep the latency low. What happens if you go a bit further? How much running room do you have here?▶ 00:19:56What is the history of Lewitt and how did the idea for these come about?▶ 00:26:43The specs appear to treat real sound, Bluetooth, USB-C, and analog as separate modes. Can the LW6 stay connected to multiple sources at once? And if so, can you switch between them or actually mix them?▶ 00:28:02I believe you mentioned being able to use the wireless and analog interfaces on the transmitter simultaneously. Is there a difference in latency between the two when both interfaces are used?▶ 00:29:12Are the batteries replaceable? What is the runtime if being used at full volume?▶ 00:30:06In your YouTube video top 10 tips for recording vocals in your home studio you mentioned number four dial in your headphone mix. Can you expand on that here?▶ 00:31:00Since DSP is built right in the headphones themselves, all four inputs, real sound, Bluetooth, USB-C, and analog modes get the same treatment, correct?▶ 00:31:52What professional workflow do you think is the best match for the LW6's combination of low latency wireless and multiple input options?▶ 00:39:12Have you guys done any thinking about onset location audio? Can one transmitter go to many headphone receivers or is it only a couple of pairs?▶ 00:40:08Is there any way to tie the transmitter into a pro mixing console with balanced outs? What's the feed?▶ 00:41:06How is the sound rejection and noise cancellation? Is there active noise cancellation of these or are they just relying on the fact that it's a closed foam headphone?▶ 00:42:21Are these headphones comfortable to wear with glasses? I've had problems in the past with headphones.▶ 00:43:10Can you elaborate on setting up mics in a recording studio while wearing these? Might the engineer actually walk into the active studio while wearing these to change the sound?▶ 00:44:27Is there a cushion option for hot and humid environments? My 7506 is getting sticky, and my Sennheiser HD 25-1-2s came with velour.▶ 00:45:24If I'm feeding the transmitter with a pro headphone amp like an RND-RNHP, would I turn the volume knob on the amp to max and control the volume at the headset? Do you have to learn gain structure for these?▶ 00:47:32If using them wirelessly in a situation where your signal chain includes side tone (one's own voice in the mix), would the single-digit millisecond latency be perceptible or distracting for some users?▶ 00:49:23What adapters are included with the LW6 package?▶ 00:49:57Is it a standard wireless connection or through a proprietary dongle? What frequency band is it in?▶ 00:50:23What's the most popular Lewitt mic? About how many mics are in the Lewitt catalog?▶ 00:52:14Where should people take a look to find Lewitt products? What are your retail outlets or online outlets?▶ 00:53:49Is the LW6 in the supply chain already? What's the shipping status?