Broadcast studio

Primary broadcast camera. Full-frame cinema-line sensor handles the studio's mixed lighting without noise.

Main studio lens. Sharp at f/2.8 across the full range — no swapping mid-show.

Live production switcher. ISOs all four inputs so the edit is doable in post even for a live show.

Super-cardioid shotgun. Off-axis rejection handles fan noise and HVAC in a working studio.

Clean preamps, low latency. Works with every DAW and conferencing tool.

600W daylight LED. Key light for the main studio position — powerful enough to compete with window light.

Large 90cm softbox. Gives the 600d wrapping, soft light appropriate for on-camera talent.

Secondary fill, dialled back 2 stops. Controlled via the desk app without touching the unit.

Runs DaVinci, OBS, browser-based show management, and the monitoring chain simultaneously without the fans spinning up.

Primary editing monitor. Wide-colour, 5K — accurate enough to grade without an external calibration target.

32-key macro controller. Manages scene switches, mute toggles, and Keynote control from one device.

Wireless video. Sub-1ms latency over 750ft — routes camera signals across the studio without a cable run.

Gateway and security appliance. Keeps the production VLAN separated from the house network.

Single-cable desk connection — power, four downstream ports, and a 10Gb NAS link in one plug.