ZV-E10
Compact APS-C camera. Lightweight with excellent AF for a solo operator — no one adjusting the lens mid-show.
≈ $799A desk setup that puts sound first: dynamic broadcast mic, clean gain, DSP interface, and a compact camera that stays out of the way.
Compact APS-C camera. Lightweight with excellent AF for a solo operator — no one adjusting the lens mid-show.
≈ $799Fast prime for the ZV-E10. f/1.4 keeps the background soft even in a home office.
≈ $449Production switcher for multi-camera segments. Controlled via MixEffect Pro on an iPad.
≈ $585All-in-one audio interface, video capture, and streaming hub. Simplifies the signal chain for remote participation.
≈ $299Dynamic broadcast mic. Naturally rejects room noise — good for anyone not in a treated space. The standard for a reason.
≈ $399Thunderbolt interface with onboard UAD DSP. Runs compressor and EQ plugins at near-zero latency during a live show.
≈ $1,099+25dB clean gain boost — keeps the SM7B's output well clear of the Apollo's noise floor.
≈ $149Closed-back monitoring headphones. Flat enough to catch a bad gate or noisy guest connection quickly.
≈ $99Compact LED panel. Small enough for a desk setup, bright enough to properly expose a camera in mixed light.
≈ $129Handles recording, live monitoring, and post-session audio cleanup in the same session without thermal throttling.
≈ $1,999The full multi-camera studio: cinema camera into a live switcher, shotgun mic, and big soft key light. Built to run a daily live show wit…
Where recordings get cut and graded: 6K camera for B-roll, a laptop that plays Braw natively, calibrated monitor and tactile grading cont…
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